Week 1:
In today’s class, I photographed my classmates and was photographed myself by them.
This is my photo:
Photo taken by Weronika Kalkucka
This is the photo I took of my classmate: Weronika Kalkucka:
These are some images of the class working on the photos:
My first photography class was an exhilarating dive into the world of portrait photography. Under the guidance of my instructor, I discovered the art of composition, lighting, and storytelling through photography.
Capturing genuine moments and expressions became my focus as I experimented with different angles and settings. Witnessing the transformation of my classmates from self-conscious to confident subjects was incredibly rewarding.
Throughout the class, I absorbed valuable lessons about connecting with my subjects and conveying their personalities through my lens. I realized that photography is not just about technical skills but also about capturing emotions and telling compelling stories.
Now armed with newfound knowledge and skills, I’m eager to continue practicing and refining my craft. I envision using my photography to share the beauty and authenticity of people’s stories, whether through candid portraits or carefully composed shots. With each click of the shutter, I aim to evoke emotions and share my unique perspective with the world.
Here are some of my inspiration for photographs:
Mahmoud Daoud:
Billy Dinh:
Alan Schaller:
Week 2:
I delved deep into the core elements of exposure control: shutter speed, aperture, and ISO. It was an eye-opening experience that truly expanded my understanding of how these settings influence the outcome of my photographs.
Starting with shutter speed, I learned how crucial it is in controlling the duration of light exposure. The instructor’s vivid examples and visual aids helped me grasp how adjusting the shutter speed can freeze fast-moving subjects or add a sense of motion blur to my shots, depending on what I want to convey.
For the following task, I used the camera: Lumix GH5s, a tripod and an LED video light to shoot all of the following demonstrations.
To achieve a fast shutter speed:
Lighting Conditions: Generally, you need ample light to achieve fast shutter speeds without sacrificing image quality. Shooting in bright daylight allows for faster shutter speeds compared to low-light conditions.
Wide Aperture: Using a wide aperture (small f-number) allows more light to enter the camera, enabling faster shutter speeds. However, this can also affect depth of field, so you may need to adjust other settings accordingly.
High ISO: Increasing the ISO sensitivity of your camera sensor can make it more responsive to light, allowing for faster shutter speeds in low-light situations. However, higher ISO settings can introduce digital noise into your images, so finding the right balance is crucial.
Fast Lens: Investing in lenses with wider maximum apertures (e.g., f/1.8 or f/2.8) allows more light to reach the sensor, facilitating faster shutter speeds.
Use of a Tripod or Image Stabilization: To avoid motion blur from camera shake, especially at slower shutter speeds, use a tripod or a lens with built-in image stabilization.
High-Speed Sync (HSS): Some advanced flash systems offer High-Speed Sync, allowing you to use flash at faster shutter speeds than the camera’s maximum sync speed. This can be useful for freezing motion in situations where ambient light is insufficient.
Fast Camera: Some cameras are capable of shooting at faster shutter speeds than others. High-end DSLRs and mirrorless cameras often have faster shutter speed capabilities.
Visual demonstration of shutter speed:
Moving on to aperture, I was fascinated by the discussion on how the size of the lens opening affects both exposure and depth of field. Understanding how a wider aperture creates a shallower depth of field, while a narrower aperture keeps more of the scene in focus, opened up a world of creative possibilities for me.
Visual demonstration of aperture:
Then, we delved into ISO, and I learned how it determines the camera’s sensitivity to light. It was interesting to discover how increasing ISO can brighten images in low-light situations but may introduce unwanted noise. Learning to balance ISO with shutter speed and aperture was a key takeaway for me.
Visual demonstration of ISO:
As shown above, at some point ISO value increases too much to the point where it is fully engulfed by light because of how sensitive the camera has become to it.
Throughout the lecture, the practical demonstrations and hands-on exercises really helped solidify my understanding. By the end of the session, I felt equipped with the knowledge to manipulate these settings confidently to achieve my desired photographic outcomes, whether it’s freezing action, controlling depth of field, or managing exposure in different lighting conditions.
My idea for a stop-motion final project:
The match cut:
It is a film editing technique where two shots are joined together in a way that creates a visual or conceptual parallel between them. The end of one shot is often matched to the beginning of the next shot in such a way that the transition between them feels seamless or purposeful. This could involve matching similar shapes, movements, colors, or other elements between the two shots. Match cuts are used to create a sense of continuity, emphasize connections between different scenes or ideas, or to provide smooth transitions between different parts of a film. They are commonly used in filmmaking to enhance storytelling and engage the audience visually and thematically.
I aim to show a story through a sequence of match cut edited images.
Some examples:
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v0f044gc0000cjvk0njc77u1gvihujcg
v12044gd0000ch3foc3c77u4jk77ko8g
v0f044gc0000cku1e77og65loiatj6dg
Week 3:
This lecture taught me the different types of shots, how to use the “exposure triangle” and allowed me to apply my newfound knowledge by photographing different objects.
Each camera shot has its own significance in conveying emotion, emphasizing details, or setting the scene. Here’s an overview of the significance of various camera shots:
Extreme Close-Up:
Significance: Focuses intensely on a specific detail or part of the subject, often capturing emotions, expressions, or intricate details that might otherwise go unnoticed. It creates a sense of intimacy and intensity, drawing the viewer’s attention to specific elements.
Close-Up:
Significance: Similar to the extreme close-up but captures more of the subject, typically framing the head and shoulders. It emphasizes emotions, facial expressions, and details, fostering a strong connection between the viewer and the subject. Close-ups are often used in intimate or dramatic moments to evoke empathy or emphasize significance.
Medium Close-Up:
Significance: Frames the subject from the chest or waist up, offering a balance between intimacy and context. It allows for the portrayal of emotions and expressions while also providing some spatial context. Medium close-ups are commonly used in dialogue scenes or to convey interactions between characters.
Medium Shot:
Significance: Frames the subject from the waist or knees up, offering more context and space within the frame. It strikes a balance between capturing the subject’s actions or expressions and showing their surroundings. Medium shots are versatile and commonly used in various scenes, such as conversations, character interactions, or showcasing movement.
Cowboy Shot:
Significance: Frames the subject from the knees up, typically including the character’s holster and gun. It originated from Western films and is often used to depict confrontation or tension, emphasizing both the character and their weaponry. Cowboy shots convey power dynamics and add a sense of drama to the scene.
Medium Full Shot:
Significance: Frames the subject from head to toe, providing a broader view while still maintaining focus on the character. It offers a sense of scale and context, allowing viewers to see the subject’s physical actions and interactions within their environment. Medium full shots are commonly used in action sequences or scenes where physical movement is essential.
Full Shot:
Significance: Frames the subject in their entirety, capturing their entire body within the frame. It provides the most context and spatial information, showing the subject’s physical presence and actions within their environment. Full shots are often used to establish characters or settings, showcase physical movements, or highlight the relationship between characters and their surroundings.
Each of these camera shots serves a specific purpose in storytelling, cinematography, or visual communication, allowing filmmakers to convey emotions, highlight details, or set the tone of a scene effectively.
This is a demonstration I photographed showing the different types of shots:
Model: Ziad Kaabour
Signature of approval:
Extreme close up
Close up
Medium close up
Medium shot
Cowboy shot
Medium full shot
Full shot
This is the exposure triangle:
It is a series of different levels of aperture, ISO and shutter speed. These levels are aligned in such a way that when the aperture is on its third level for example (following the arrow), the ISO and shutter speed should be on the third level in order to take the best possible image.
I attempted to try each corresponding levels, here are my results:
Green: background
Blue: lesser subjects
Red: foreground
Aperture: 5.6 – ISO: 800 – Shutter Speed: 1/125
Intersections between lines attract the most attention
Aperture: 5.6 – ISO: 800 – Shutter Speed: 1/125
Aperture: 8 – ISO: 3,200 – Shutter Speed: 1/250
Leading Lines:
The “natural lines” shown above catch the eye’s attention and lead it along their paths.
Aperture: 8 – ISO: 3,200 – Shutter Speed: 1/250
Diagonals:
Diagonals create the sense of movement.
Taking advantages of the frames in the photo’s subjects.
Aperture: 4 – ISO:1,600 – Shutter Speed: 1/60
Figure to Ground:
Contrast between subject and background. Blue and green marks oppose each other.
Aperture: 4 – ISO:1,600 – Shutter Speed: 1/60
Fill the Frame + Dominant Eye:
Subject fills all frame.
Red is the subject
pink is the insignificant background also, the frame is centered on the dominant eye which gives off the effect that it is following you.
Aperture: 5.6 – ISO: 800 – Shutter Speed: 1/125
The same subject repeats its position in an uninterrupted form.
Aperture: 5.6 – ISO: 800 – Shutter Speed: 1/125
Symmetry:
Mirrored sides
Aperture: 4 – ISO:1,600 – Shutter Speed: 1/60
Golden Arch:
Unmarked: least important
Green: background
pink: second most important
blue: main subject
Aperture: 4 – ISO:1,600 – Shutter Speed: 1/60
Forced Perspective:
An optical illusion, in this case the pen is brought to the foreground tricking the eye to thinking it so bigger than the note pad in the background. Hence forcing the perspective of the photographer.
Photographer inspiration research:
Andreas Grusky:
Gursky’s photographs often feature vast and expansive scenes, capturing the complexity and scale of modern life. He frequently employs elevated perspectives or panoramic views to provide a sweeping overview of his subjects, whether it be a crowded cityscape, a bustling factory floor, or a sprawling landscape.
One of the defining features of Gursky’s photography is his use of digital manipulation techniques to enhance and transform his images. He often stitches together multiple photographs or digitally alters elements within a scene to create visually stunning and thought-provoking compositions. These manipulations serve to amplify the sense of scale, geometry, and abstraction in his work, pushing the boundaries of traditional photographic representation.
Gursky’s photographs also explore themes of globalization, consumerism, and the impact of technology on contemporary society. He is interested in how human activity shapes the landscape and how individuals navigate the complexities of modern urban environments. His images often contain layers of meaning and interpretation, inviting viewers to reflect on the intersection of the natural and the artificial, the local and the global.
In addition to his exploration of urban landscapes, Gursky has also produced striking photographs of natural landscapes, industrial sites, and cultural events. His work spans a wide range of subjects and settings, yet it is unified by his distinct aesthetic vision and his ability to capture the essence of the modern world in all its complexity.
Overall, Andreas Gursky’s photography is celebrated for its technical innovation, conceptual depth, and visual impact. His images challenge viewers to reconsider their perceptions of space, time, and society, offering a unique perspective on the contemporary human experience.
Annie Leibovitz:
Leibovitz’s work spans several decades and encompasses a wide range of subjects, from musicians and actors to politicians and athletes. She has a distinctive style that often incorporates elements of theatricality and fantasy, creating images that are both visually striking and emotionally resonant.
One of the hallmarks of Leibovitz’s photography is her ability to establish a rapport with her subjects, allowing them to express themselves authentically in front of her camera. She has a knack for capturing intimate and candid moments, revealing the vulnerability and humanity behind the public persona of her subjects.
Leibovitz’s photographs often feature elaborate sets, costumes, and props that enhance the storytelling aspect of her work. She has a keen eye for detail and composition, carefully orchestrating every element within the frame to create images that are visually dynamic and compelling.
In addition to her portraits, Leibovitz has also produced striking photographs of landscapes, still lifes, and cultural events. Her diverse body of work reflects her versatility as a photographer and her ability to adapt her style to different subjects and contexts.
Overall, Annie Leibovitz’s photography is celebrated for its creativity, technical skill, and ability to capture the zeitgeist of contemporary culture. Her images have become iconic symbols of their time, influencing generations of photographers and leaving an indelible mark on the world of photography and popular culture.
Robert Capa:
Capa’s work spans several major conflicts of the 20th century, including the Spanish Civil War, World War II, and the First Indochina War. He had a remarkable ability to capture the chaos, danger, and human drama of the battlefield, often placing himself in harm’s way to get the shot.
One of Capa’s most famous photographs is “The Falling Soldier,” taken during the Spanish Civil War in 1936. The image captures a Republican soldier at the moment of his death, falling backward after being struck by a bullet. This photograph became an iconic symbol of the brutality and futility of war, and it remains one of the most powerful images in the history of photojournalism.
Capa’s photography is characterized by its sense of immediacy and intimacy. He had a knack for capturing decisive moments that convey the intensity and emotion of the battlefield, whether it be the heat of combat, the exhaustion of soldiers, or the anguish of civilians caught in the crossfire.
In addition to his coverage of war, Capa also documented the aftermath of conflict and the struggles of displaced people around the world. His photographs often highlight the human cost of war and the resilience of the human spirit in the face of adversity.
Overall, Robert Capa’s photography is celebrated for its courage, empathy, and unflinching portrayal of the horrors of war. His images have had a profound impact on how we perceive and understand conflict, serving as powerful reminders of the human toll of violence and the importance of bearing witness to history.
Week 6:
Processing photographs in the dark room
The step by step process:
Capturing Photographs:
Load the camera with film appropriate for the desired type of photography (e.g., black and white, color).
Set the camera’s aperture, shutter speed, and focus according to the desired exposure and composition.
Compose the shot through the camera’s viewfinder or focusing screen.
Carefully press the shutter release button to capture the image onto the film.
Film Development:
Once the roll of film is fully exposed, remove it from the camera in a dark environment or a changing bag to prevent exposure to light.
Transfer the film into a lightproof developing tank.
Prepare the necessary chemicals for film development, including developer, stop bath, and fixer.
Follow the instructions for mixing and diluting the chemicals, maintaining specific temperatures if required.
Submerge the film in the developer for the specified duration, agitating it gently to ensure even development.
Transfer the film to the stop bath to halt the development process.
Finally, immerse the film in the fixer to make the image permanent and remove any remaining undeveloped silver halide crystals.
Rinse the film thoroughly in clean water to remove residual chemicals.
Image Processing:
Hang the developed film in a dust-free environment to dry completely.
Once dry, cut the film into individual frames for further processing or printing.
Printing in the Darkroom:
Use an enlarger to project the desired image onto light-sensitive photographic paper.
Adjust the exposure time and aperture of the enlarger to achieve the desired print density and contrast.
Place the photographic paper in the developer tray and agitate it gently to initiate the development process.
Transfer the paper to the stop bath and then to the fixer to complete the development.
Rinse the print thoroughly in clean water and allow it to dry.
Risks of Using Lights in the Darkroom:
Film Exposure: Light exposure can ruin undeveloped film. Even brief exposure to light can lead to fogging or overexposure, rendering the images unusable.
Print Damage: Light exposure during printing can affect the quality of the final image, causing uneven development or unwanted artifacts.
Eye Strain: Working in a darkroom requires acclimatization to low light conditions. Exposure to bright lights can strain the eyes and affect the photographer’s ability to accurately assess the images being processed.
Therefore, it’s essential to maintain a completely dark environment when handling undeveloped film and light-sensitive materials in the darkroom to ensure the best results.
After each person proceeded their own photo, we put them together to form a story sequence.
The story:
1: A potentially violent tool like a scissors is shaped like the letter V rotated 90 degrees.
2: A German shepherded, a strong dog capable of violent behavior also shaped as a 90 degree rotated letter V. It is implied that the dog is violent due to the scissor image being before it showing what mood the dog could be in.
3: Predator becomes prey; the strong dog head has changed into a rabbit’s head. Innocence has usurped violence.
4: The rabbit begins to turn into a hand showing that a faultless being is capable of lending a helping hand.
5: The hand is still the letter V. It is beginning to change.
6: The singular hand was hiding another one. Through their together-ness they were able to form a V signifying their team-work.
7: Suspense swallows the scene when suddenly the hands lose their touch!
8: Were they out of breath or just holding their breath to come together again in order to form a heart. This implies that despite tough times they fight through the hardships.
9: One hand is left alone.
10: The other hand is also alone.
11: The hands come tougher forming an upside down letter V. This shows what brought them together has betrayed them.
12: The hands surrender and join to become something greater than themselves.
This was the photograph I took and proceed.
Brassaï’s work often focused on capturing the essence of Parisian nightlife, including scenes from cafes, bars, dance halls, and brothels. He had a keen eye for capturing the energy and diversity of the city’s inhabitants, from bohemian artists and intellectuals to working-class revelers and marginalized individuals.
One of Brassaï’s most famous series is “Paris by Night,” which features hauntingly beautiful images of the city after dark. In these photographs, he explored the mysterious and sensual atmosphere of Paris at night, capturing the play of light on wet cobblestone streets, the glow of neon signs, and the intimate moments shared between lovers and strangers alike.
Brassaï was also fascinated by the hidden world of Parisian brothels, which he documented in his series “Secret Paris.” In these photographs, he offered a glimpse into the private and often illicit spaces where people sought pleasure and escape from the constraints of everyday life.
In addition to his exploration of Parisian nightlife, Brassaï also produced stunning portraits, landscapes, and still life’s that reflected his deep appreciation for the beauty and complexity of the world around him. His photographs often convey a sense of nostalgia and melancholy, capturing fleeting moments of beauty and introspection.
Overall, Brassaï’s photography is celebrated for its poetic and emotive qualities, its exploration of the human experience, and its enduring portrayal of Parisian life during a transformative period in history. His images continue to inspire and captivate viewers today, offering a timeless glimpse into the heart and soul of one of the world’s most iconic cities.
Sebastiao Salgado:
Salgado’s work often focuses on capturing the struggles and resilience of marginalized communities around the world. He has documented a wide range of social issues, including poverty, migration, labor exploitation, and environmental degradation. His photographs offer a searing indictment of injustice and inequality while also celebrating the strength and dignity of the human spirit.
One of Salgado’s most famous projects is “Workers,” a series of photographs that portrays the lives of manual laborers from various countries. In these images, he captures the grueling and often dangerous work that people undertake to earn a living, highlighting the human cost of industrialization and globalization.
Another iconic series by Salgado is “Genesis,” which explores the beauty and fragility of the natural world. In this project, he traveled to remote and pristine landscapes around the globe, capturing breathtaking scenes of wildlife, landscapes, and indigenous cultures. Through his photographs, Salgado seeks to raise awareness about the importance of preserving our planet’s biodiversity and protecting fragile ecosystems.
Salgado’s photography is characterized by its sense of empathy and intimacy. He has a remarkable ability to establish a deep connection with his subjects, allowing him to capture their humanity and dignity with honesty and compassion. His images often convey a sense of universality, inviting viewers to empathize with the struggles and triumphs of people from diverse backgrounds and cultures.
Overall, Sebastião Salgado’s photography is celebrated for its social conscience, aesthetic beauty, and profound emotional impact. His images serve as powerful reminders of the interconnectedness of humanity and the importance of empathy, compassion, and solidarity in creating a more just and sustainable world.
Decisive Moment: Cartier-Bresson coined the term “the decisive moment” to describe capturing the essence of a fleeting moment in his images. He had a remarkable ability to anticipate and capture the most compelling moment within a scene, often imbuing his photographs with a sense of spontaneity and drama.
Candidness: He preferred to work discreetly, blending into the environment rather than staging his shots. His photographs often feature ordinary people engaged in everyday activities, yet he had a knack for finding the extraordinary within the mundane.
Geometry and Composition: Cartier-Bresson was a master of composition, often using strong geometric shapes and lines within his frames to create visually striking images. His compositions are meticulously balanced, with a keen eye for patterns, symmetry, and spatial relationships.
Black and White: While Cartier-Bresson did shoot in color later in his career, he is best known for his black and white photographs. The monochromatic palette adds a timeless quality to his work, emphasizing the form, texture, and tonal contrast within his images.
Humanism: Many of Cartier-Bresson’s photographs reflect his humanistic worldview, showing empathy and compassion for his subjects. He often focused on social issues, capturing moments of joy, sorrow, and resilience in the human experience.
Global Perspective: Through his extensive travels and documentation of various cultures, Cartier-Bresson’s photography transcends geographical boundaries. His images provide a glimpse into the diversity of the human condition, offering a universal perspective on life and society.
Overall, Henri Cartier-Bresson’s photography is characterized by its timeless elegance, profound observation, and ability to encapsulate the essence of the human experience in a single frame. His work continues to inspire generations of photographers and remains influential in the field of documentary photography and photojournalism.
Loop lighting is a common lighting technique used in portrait photography. It’s characterized by a small shadow of the subject’s nose that falls slightly to one side of the face, creating a loop-shaped shadow. Here’s how it’s typically achieved:
Positioning the Light Source: The key light, which is the primary light source, is typically placed at a 30-45 degree angle to one side of the subject and slightly above eye level. This positioning creates a directional light that falls across the face, casting shadows.
Creating the Loop Shadow: As the light falls across the face, a shadow is cast from the nose. With loop lighting, this shadow extends slightly downwards and to the side, creating a loop shape that curves towards the cheek.
Adjusting the Angle: The exact angle of the key light can be adjusted to control the size and shape of the loop shadow. A more pronounced loop shadow can be achieved by positioning the light source slightly further to the side of the subject.
Loop lighting is often favored in portrait photography because it can help to define the contours of the face and add depth, while still providing flattering illumination. It’s a versatile lighting technique that works well for various types of portraits, from dramatic and moody to soft and flattering.
The set up
The result Model: Ahmad Kaabour Photographer: Noor Achour
Rembrandt lighting is a portrait lighting technique named after the renowned Dutch painter Rembrandt van Rijn, who often used this type of lighting in his paintings. It’s characterized by a small, triangular highlight on the shadowed side of the subject’s face, created by illuminating the face from the side at a 45-degree angle, and with the key light placed higher than the subject’s eye level. This positioning creates a distinct shadow under the nose that extends to the shadow of the cheek on the opposite side of the face, forming a triangle of light on the cheek. Rembrandt lighting is often used in portrait photography to create a sense of drama and depth, emphasizing the contours of the face while maintaining a balance between light and shadow.
Attempting the portrait lighting style:
The set up using a lighting net
The result
Model: Jesse Shehu
Photographer: Angel Stoyanov
Butterfly lighting:
Butterfly lighting, also known as Paramount lighting, is a classic portrait lighting technique commonly used in photography and cinematography. It is characterized by a strong, centrally positioned light source placed above the subject and slightly angled downwards. This positioning creates a small, butterfly-shaped shadow under the subject’s nose that resembles the shape of a butterfly’s wings, hence the name.
In butterfly lighting, the light source is typically a softbox, umbrella, or large reflector, which helps to produce soft and diffused lighting, reducing harsh shadows and creating a flattering effect on the subject’s face. This technique is often favored for its ability to highlight the cheekbones and define facial features, resulting in a glamorous and elegant look, especially in portrait photography and beauty shots. However, it’s important to adjust the height and angle of the light source to suit the subject’s face shape and desired aesthetic.
Attempting the portrait lighting style:
The setup
Broad lighting is a portrait lighting technique used in photography to illuminate the side of the subject’s face that is turned toward the camera. In broad lighting, the main light source is positioned to shine on the larger portion of the face, creating a broader area of light and casting shadows on the narrower side of the face that faces away from the camera.
This technique is often used to emphasize features on the side of the face that is illuminated, making it appear larger and more prominent. Broad lighting is particularly effective for subjects with narrow faces or prominent cheekbones, as it can help to balance out facial proportions and create a flattering effect.
Broad lighting can also be used to convey different moods and emotions in portrait photography. For example, when combined with soft and diffused lighting, it can create a gentle and romantic atmosphere, while harsher lighting can add drama and intensity to the image. Overall, broad lighting is a versatile technique that can be adapted to suit a wide range of subjects and styles in portrait photography.
Attempting the portrait lighting style:
The setup
The result
Model: Jesse Shehu
Photographer: Angel Stoyanov
Short lighting is a portrait lighting technique used in photography where the main light source is positioned to illuminate the side of the subject’s face that is turned away from the camera. In short lighting, the key light falls on the narrower portion of the face, creating a smaller area of light and casting shadows on the broader side of the face that faces toward the camera.
This technique is often used to create a more dramatic and sculpted look in portraits by emphasizing shadows and contours on the subject’s face. Short lighting can help to define facial features such as cheekbones and jawlines, adding depth and dimension to the image.
Short lighting is particularly effective for subjects with round or fuller faces, as it can help to slim and elongate the appearance of the face. It can also be used to convey different moods and emotions in portrait photography, depending on the angle and intensity of the light.
Overall, short lighting is a versatile technique that can be used to create striking and impactful portraits, especially when combined with other lighting techniques and creative elements.
Attempting the portrait lighting style:
The setup
The result
Model: Ahmad Kaabour
Photographer: Noor Achour
Backlighting is a portrait photography technique where the primary source of light is positioned behind the subject, illuminating them from the back. In this setup, the subject stands between the camera and the light source, which could be natural light such as sunlight or an artificial light like a strobe or a flash.
Backlighting creates a distinct outline or halo effect around the subject, separating them from the background and adding depth to the image. It can also produce a rim of light around the edges of the subject, highlighting their contours and creating a sense of dimensionality.
In portrait photography, backlighting is often used to create silhouettes, where the subject appears as a dark shape against a bright background. It can also be used to produce a soft, glowing effect, particularly when combined with other lighting techniques or modifiers such as reflectors or diffusers.
Overall, backlighting can add visual interest and drama to portraits, and it’s a versatile technique that can be adapted to various styles and creative preferences.
Attempting the portrait lighting style:
The setup
The result
Model: Jesse Shehu
Photographer: Angel Stoyanov
Photographer research:
Diane Arbus:
Diane Arbus (1923–1971) was an influential American photographer known for her unconventional and often provocative portraits that captured subjects on the fringes of society. Born into a wealthy New York family, Arbus started her career in fashion photography with her husband Allan Arbus. However, she eventually found her true calling in documentary and portrait photography.
Arbus’s work often focused on marginalized communities, including individuals with physical deformities, people with intellectual disabilities, cross-dressers, circus performers, and others living on the outskirts of mainstream society. She had a unique ability to establish a sense of intimacy and empathy with her subjects, often portraying them with dignity and humanity, despite their perceived differences.
Her style was characterized by a direct and unflinching approach, often using black and white film and square format images. Arbus had a talent for capturing the raw and unfiltered aspects of her subjects’ lives, revealing both their vulnerabilities and their resilience.
Arbus’s work has been highly influential in the field of photography and has left a lasting impact on subsequent generations of photographers. Despite her tragic death by suicide in 1971, her legacy continues to resonate, and her photographs remain celebrated for their depth, honesty, and exploration of the human condition.
Tim Walker:
Tim Walker is a British fashion photographer renowned for his whimsical, dreamlike, and fantastical imagery. His work often blurs the lines between fashion photography and fine art, creating surreal and theatrical scenes that transport viewers into otherworldly realms.
Walker’s photography is characterized by its elaborate sets, extravagant costumes, and fantastical narratives. He often draws inspiration from fairy tales, mythology, literature, and art history, infusing his images with a sense of magic and wonder. Walker’s use of vivid colors, intricate props, and imaginative compositions further enhances the surreal quality of his work.
One of Walker’s trademarks is his preference for shooting on film rather than digital, which lends a timeless and nostalgic quality to his photographs. He also embraces imperfections and serendipitous moments, allowing unexpected elements to add to the richness and complexity of his images.
Throughout his career, Walker has collaborated with major fashion brands and magazines, including Vogue, W Magazine, and LOVE Magazine. His distinct visual style and innovative approach to storytelling have earned him critical acclaim and a dedicated following in the world of fashion and photography.
Alex Prager is an American photographer and filmmaker known for her captivating and cinematic style. Her photography often blurs the lines between reality and fiction, creating visually striking images that evoke a sense of intrigue and mystery.
Prager’s work frequently features staged scenes with carefully constructed compositions, reminiscent of scenes from vintage films or television shows. Her use of bold colors, dramatic lighting, and meticulous attention to detail imbue her photographs with a sense of heightened reality.
One of Prager’s distinctive techniques is her incorporation of crowds or groups of people in her images, often arranged in choreographed formations or engaged in enigmatic activities. These scenes contribute to the narrative quality of her work, inviting viewers to interpret and speculate about the stories behind each photograph.
Despite the cinematic quality of her images, Prager’s work also explores themes of alienation, anxiety, and the complexities of human relationships. Her photographs often convey a sense of unease or tension, inviting viewers to contemplate the underlying emotions and psychological dynamics at play.
In addition to her photography, Prager has also ventured into filmmaking, creating short films that further explore the themes and aesthetics present in her photographic work. Overall, Alex Prager’s photography is characterized by its cinematic flair, narrative richness, and ability to transport viewers into intriguing and evocative worlds.
Lewis Hine was a pioneering American photographer and sociologist who used his camera as a tool for social reform, particularly in documenting the conditions of workers and immigrants in the early 20th century United States. Born in 1874, Hine became interested in photography while teaching at the Ethical Culture School in New York City. He used his camera to capture images of immigrants arriving at Ellis Island, as well as the living and working conditions of laborers, including child laborers, across the country.
One of Hine’s most famous projects was his documentation of child labor, which he undertook for the National Child Labor Committee (NCLC). Through his photographs, Hine sought to expose the harsh realities faced by children working in mines, factories, farms, and other industries. His images played a significant role in raising awareness about child labor and advocating for legislative reforms to protect young workers.
Hine’s photography is characterized by its powerful storytelling and humanistic approach. He often portrayed his subjects with dignity and empathy, aiming to evoke empathy and understanding from viewers. His work not only served as a visual record of the social injustices of his time but also as a catalyst for change.
In addition to his documentation of child labor, Hine also photographed other aspects of American society, including immigrants, working-class families, and the construction of iconic structures such as the Empire State Building. His body of work is considered a vital part of documentary photography history, and his photographs continue to be studied and admired for their artistic and social significance.
Edward Weston
He was a pioneering American photographer known for his innovative approach to modernist photography, particularly in the realm of black-and-white photography. His work spanned various genres, including still life, landscapes, portraits, and nude studies. Here are some key aspects of Edward Weston’s photography:
Straight Photography: Weston was a proponent of straight photography, a movement that advocated for capturing subjects in sharp focus with precise detail. He believed in portraying subjects as they were without manipulation or alteration, emphasizing clarity and realism in his images.
Form and Composition: Weston was a master of composition, known for his ability to find beauty in everyday objects and natural forms. He often used strong lines, geometric shapes, and careful arrangements to create visually striking compositions. His still life photographs of vegetables, shells, and other objects are particularly famous for their sculptural qualities and attention to form.
Natural Landscapes: Weston frequently explored the natural world through his photography, capturing the beauty of landscapes with a keen eye for detail. He often focused on the textures, patterns, and rhythms found in nature, creating images that celebrated the inherent beauty of the environment.
Nude Studies: Weston’s nude studies are celebrated for their elegance, sensitivity, and classical beauty. He often photographed nude models in natural settings, using light and shadow to accentuate the curves and contours of the human form. His nude photographs are renowned for their timeless quality and artistic sophistication.
Technique and Equipment: Weston was known for his technical mastery of photography and his meticulous approach to the craft. He frequently used large format cameras and contact printing techniques to achieve exceptional clarity and detail in his images. He was also skilled in darkroom processes, using techniques such as dodging and burning to manipulate contrast and tone.
Group f/64: Weston was a founding member of Group f/64, a collective of photographers who shared a commitment to sharp-focus photography and the pursuit of photographic purity. The group, which included luminaries such as Ansel Adams and Imogen Cunningham, played a significant role in shaping the course of American photography in the 20th century.
Overall, Edward Weston’s photography is celebrated for its technical innovation, artistic vision, and enduring influence on the medium. His work continues to inspire photographers and art enthusiasts around the world, cementing his legacy as one of the greatest photographers of the 20th century.
These are the techniques I used for each of those shots:
-golden arch diverts the audience attention towards the light in the background (red)
-leading lines capture attention leading to a dim mysterious figure making audience question who it might be (purple)
-low key lights on the man to show him as hidden and questionable (green)
-diagonals are used to show that even something not balanced has a sense of peace because it is parallel which makes the feeling of balancing (green)
-forced perspective to show how big and mighty the tree is in comparison to the man (pink)
-the golden arch diverts the attention towards the mobile device (yellow)
-forced perspective to show a sense of inferiority on the man in the distance (pink)
-line of symmetry to represent balance (blue)
-blur to show that the earlier mentioned balance is dissipating (yellow)
-darker shading to show the darkness approaching (red)
-golden arch showcasing the distance the man covered leaving his base (green)
-low key lights to show the man’s stealth (red)
-golden arch to divert attention to the man’s expression (green)
-loop lighting to show half the man’s face being well lit and the other dark to show the balance (blue)
leading lines to show perspective of the wall’s width (blue)
-low lights everywhere to show the full depth of darkness in the scene (green)
-line of symmetry to show the man acquiring a new sense of balance (blue)
-golden arch to put attention on the man (green)
-leading lines to lead the eye to the place the other man is no longer in meaning he left (blue)
-low light to show the progressively increasing darkness in the balanced man’s world (yellow)
-leading lines to act as a sense of distance between both men (yellow)
-half the image is lit dark and half light to show balance which is a foreshadowing to the winner of this faceoff (red)
-low shutter speed to create a sense of blurry quick movement (red)
-low shutter speed to create a sense of blurry quick movement (red)
-a light flare showing that the winning man is using the light as it is close to his fist (blue)
golden arch to show the man leaving the scene (blue)
-low lights to show that all the other man got from darkness is the ability not to leave it (red)
The Adobe Lightroom classic version:
Blue is often associated with cold and action in several contexts:
Coldness: In visual art, film, and design, blue is commonly used to represent coldness or icy environments. This connection stems from the natural blue hues seen in ice, snow, and cold weather phenomena. When blue is used in color grading or scene setting, it can evoke feelings of chill, winter, or a frosty atmosphere.
Action: Blue can also signify energy and dynamism, particularly in technology and futuristic settings. In action films and video games, blue lighting or blue-toned color grading is frequently used to imply a sense of movement, speed, or high-tech scenarios. The association with action comes from its connotations of efficiency, precision, and modernity.
Together, blue’s relationship with coldness and action can create compelling imagery, suggesting an energetic, fast-paced environment within a cold or futuristic setting.
Written image description in order:
1-wide shot of a land with a path leading to a lit area (grabs attention to what is at the end of the path)
2-wide shot of a tree in the middle of 2 building’s intersection (shows balance)
3-an unlit man appears from the lit area who seems to the only dark subject in contrast to the area’s lights (shows mystery)
4-another man seems to be wondrously staring at the large tree (invokes imagination and life)
5-the first man has been spying on the second (creates suspense)
6-the second man takes his time and meditates (shows that he is at peace)
7-the first man gets a smug look in his face as if he can not stand looking at the other man (creates tension)
8-the second man ignores the stares and instead uses his time to ease his mind of any stress (creates a sense of relief)
9-the first man is so fed up he begins punching the wall because of his inability to calm himself from the thought of the other man (ignites the feeling of rage within the scene)
10-the first man decides his had enough and steps out of his territory (creates excitement)
11-the second man is calmly waiting showing no fear (shows how the tree opened a way of balance to him)
12-the two men meet and face each other (foreboding a fight)
13-the first man rushes without giving it a second though towards the second man (shows how quick and unsteady he is)
14- the second man conjuring all his calmness blocks the man running towards him with one single strike (shows how when someone is calm and collected they can think clearly)
15- we can see the second man leaving the scene with the first man knocked down (shows that the first man was never interested in letting his rage out)
Man Ray:
an American visual artist and photographer closely associated with the Dada and Surrealist movements, is known for his experimental approach to photography and his role in pushing the boundaries of the medium. His innovative techniques and avant-garde style have had a lasting impact on the art world. Here are key characteristics of Man Ray’s photography:
Experimental Techniques: Man Ray is renowned for his pioneering photographic techniques, such as “rayographs” (also known as photograms), where objects are placed on photographic paper and exposed to light, creating abstract and surreal images without a camera.
Surrealism and Dada Influences: His work is heavily influenced by the Dada and Surrealist movements, resulting in dreamlike and often bizarre imagery. He often employed unconventional elements and arrangements to create disorienting and thought-provoking images.
Portraiture and Iconic Figures: Man Ray was well-known for his portraits of notable cultural figures, including artists, writers, and musicians. His portraits often reflected his artistic style, blending traditional portraiture with surrealist elements.
Symbolism and Abstraction: His photographs frequently contain symbolic and abstract elements, encouraging viewers to explore deeper meanings. He often used simple objects or elements to create complex visual narratives.
Use of Shadows and Light: Man Ray’s photography features a sophisticated use of light and shadow, contributing to the surreal and atmospheric quality of his images. This technique allows him to manipulate perception and create dramatic contrasts.
Humor and Playfulness: Humor is a recurring theme in Man Ray’s work. He often incorporated playful or whimsical elements into his photography, challenging traditional artistic conventions and engaging with the Dadaist spirit.
Interdisciplinary Approach: Beyond photography, Man Ray was a multidisciplinary artist, working in painting, sculpture, film, and more. This versatility is reflected in his photographic style, which often incorporates influences from his other artistic endeavors.
Man Ray’s photography is celebrated for its bold experimentation and imaginative approach to visual art. His work continues to inspire artists and photographers, and his influence on the surrealist and avant-garde movements is widely recognized.
was a celebrated American street photographer known for his candid and spontaneous images that captured everyday life in the United States. His work was characterized by an energetic and dynamic approach, often focusing on social issues, urban landscapes, and the vibrancy of people in public spaces.
Winogrand’s style was influenced by the evolving culture of the 1960s and 1970s, capturing the essence of American society during a period of change. He was known for using a wide-angle lens to create dynamic compositions, with subjects often caught mid-action or in natural poses. His photographs were often unposed, reflecting real moments rather than staged scenarios.
His work is a significant part of the photographic canon, with notable collections such as “The Animals,” which focuses on animals in zoos and their interaction with humans, and “Women Are Beautiful,” exploring women’s roles and appearances in contemporary society. Winogrand’s ability to capture the spontaneity and complexity of human interaction made him an influential figure in the world of photography, and his work continues to inspire street photographers to this day.
Philippe Halsman (1906-1979):
was a prominent American portrait photographer known for his innovative and energetic approach to capturing iconic images of celebrities, politicians, and cultural figures. His career spanned from the 1940s through the 1970s, and he was particularly renowned for his collaborations with Salvador Dalí and his inventive “jumpology” portraits.
Halsman’s style was characterized by a unique blend of technical precision and creative expression. He often used lighting and composition to emphasize his subjects’ personalities and brought a sense of dynamism to his portraits. His work with Dalí, especially the famous “Dali Atomicus,” is a striking example of his creativity, capturing Dalí and various objects in mid-air, with a sense of surrealism and motion.
Halsman also gained recognition for his “jump” portraits, where he encouraged his subjects to jump, capturing them at the peak of their leap. This approach created a sense of spontaneity and revealed a different side of his subjects, showing them in a more playful and relaxed state.
Throughout his career, Halsman photographed many notable figures, including Albert Einstein, Marilyn Monroe, Audrey Hepburn, Winston Churchill, and John F. Kennedy. His portraits often graced the covers of LIFE magazine, where he held the record for the most covers by a single photographer.
Halsman’s work is celebrated for its originality and creativity, and his portraits remain influential in the field of photography, providing a unique glimpse into the personalities of some of the 20th century’s most famous individuals.
Cecil Beaton (1904-1980):
was a British photographer, designer, and diarist renowned for his glamorous and elegant portraits, particularly of celebrities, royalty, and the fashion world. His work spanned several decades, from the 1920s through the 1970s, and he gained acclaim for his creative approach to portraiture, theatrical design, and costume design for stage and film.
Beaton’s photography is characterized by its sophisticated style, often incorporating elaborate sets, props, and dramatic lighting. He had a unique ability to create an aura of glamour and fantasy around his subjects, often capturing them in an ethereal and idealized manner. His portraits of Hollywood stars, British royalty, and fashion icons helped shape the visual culture of his time.
One of Beaton’s most iconic assignments was as a court photographer for the British royal family. He created memorable portraits of Queen Elizabeth II, the Queen Mother, and other members of the royal family, showcasing their regal elegance and dignity. His work in fashion photography was also significant, with contributions to publications like Vogue and Harper’s Bazaar, where he brought a sense of artistry and theatricality to his shoots.
In addition to his photography, Beaton was an accomplished set and costume designer, winning Academy Awards for his work on “Gigi” (1958) and “My Fair Lady” (1964). His design sensibilities often influenced his photography, leading to highly stylized and visually captivating images.
Beaton’s legacy is a blend of high society glamour, theatrical artistry, and a keen eye for capturing beauty and elegance. His work continues to inspire photographers and designers, with his photographs considered timeless examples of sophisticated portraiture and fashion photography.
Walker Evens (1903-1975) was a prominent American photographer known for his work documenting American life during the Great Depression. His photography is characterized by its stark realism and focus on everyday subjects, often highlighting the dignity and resilience of ordinary people during challenging times.
Evans is most renowned for his work with the Farm Security Administration (FSA) in the 1930s, where he was part of a team of photographers tasked with documenting the effects of the Great Depression on rural America. His photographs from this period are powerful visual records of the struggles faced by farmers, workers, and families. Evans had an ability to capture the essence of a place or person with a straightforward, unembellished style.
One of Evans’ most famous projects is his collaboration with writer James Agee on the book “Let Us Now Praise Famous Men.” Published in 1941, the book is a detailed study of tenant farming families in the American South, combining Evans’ photographs with Agee’s text. This work is widely regarded as a classic in the field of documentary photography and has had a lasting impact on the way photographers approach social issues.
Evans’ approach to photography was often described as “documentary” or “straight” photography. He was interested in capturing scenes as they were, without manipulation or excessive artistic embellishments. His subjects included architecture, signage, everyday objects, and people, all depicted with a sense of quiet observation.
Evans’ legacy is significant in the history of photography, as his work has influenced generations of photographers and helped define the documentary photography genre. If you’d like to know more about his life, work, or specific projects, I can delve deeper into his career and contributions to photography.
Gordon Parks (1912-2006) was an influential American photographer, filmmaker, writer, and composer known for his profound contributions to photojournalism, portraiture, fashion photography, and filmmaking. His work often addressed themes of civil rights, racial equality, poverty, and social justice, making him a significant figure in American photography and culture.
Early Career
Parks began his career as a self-taught photographer, eventually joining the Farm Security Administration (FSA) in the early 1940s. He captured poignant images that documented the struggles of African Americans and other marginalized groups during that era. His photograph “American Gothic, Washington, D.C.” (1942), depicting Ella Watson, an African American cleaning woman holding a mop and broom, is one of his most famous works, commenting on racial discrimination and social injustice.
Work with LIFE Magazine
In 1948, Parks became the first African American staff photographer and writer at LIFE magazine, where he worked for over two decades. During his tenure, he created powerful photo essays that explored a wide range of topics, from poverty in Harlem to the lives of Muhammad Ali and Malcolm X. His photo essays provided a window into the realities of Black life in America, often highlighting issues of racism and segregation.
Fashion Photography and Portraiture
Parks also had a significant impact on fashion photography. His work in this genre appeared in prominent publications like “Vogue.” He brought a unique artistic style to his fashion shoots, incorporating narrative elements and a keen eye for composition.
Filmmaking
Beyond photography, Parks was also a trailblazing filmmaker. He directed the film adaptation of his autobiographical novel, “The Learning Tree,” in 1969, becoming the first African American to direct a major Hollywood film. He later directed “Shaft,” a groundbreaking film in the blaxploitation genre that became a cultural phenomenon.
Legacy
Parks’ legacy extends beyond his photography and filmmaking; he is remembered as a pioneering African American artist who used his talents to challenge societal norms and advocate for justice and equality. His influence on future generations of photographers and filmmakers is profound, with his work continuing to inspire those who seek to tell stories through images and film.
Complex Compositions: Friedlander frequently uses reflections from shop windows, mirrors, and glass to create intricate and layered compositions. His photographs often feature overlapping elements, resulting in visually dense images that challenge viewers to find meaning within the chaos.
Urban and Suburban Landscapes: A significant portion of Friedlander’s work focuses on urban and suburban environments. His photographs capture the textures and details of cities and towns, including signs, architecture, and everyday objects. He has a talent for finding beauty and intrigue in ordinary scenes.
Self-Portraits: Friedlander is also known for his self-portraits, where he often includes his own reflection or shadow in the frame. This technique creates a sense of self-reference and ambiguity, adding another layer to his photographs.
Influence on Street Photography: Along with other notable photographers of his time, such as Garry Winogrand and Diane Arbus, Friedlander played a key role in shaping the field of street photography. His work is often spontaneous and candid, capturing moments of urban life with a sense of immediacy and authenticity.
Notable Projects and Books
Friedlander’s work has been extensively published in books and exhibited in museums and galleries. Some of his notable publications include:”Self-Portrait” (1970): A collection of his self-portraits that demonstrates his innovative approach to the genre.
“The American Monument” (1976): A book that explores monuments and public art across the United States, offering a unique perspective on national symbols.
“American Musicians” (1998): A collection of photographs featuring famous musicians from various genres, showcasing Friedlander’s talent for capturing personality and emotion.Legacy and InfluenceFriedlander’s impact on photography is significant, as his unconventional compositions and approach to subject matter have inspired many photographers. He received numerous awards and accolades for his contributions to photography, including the MacArthur Fellowship and the Hasselblad Award.
Week 14:
Photographer research:
Yousuf Karsh,
was an Armenian-Canadian photographer known for his iconic portraits of notable figures from the 20th century. Born in Armenia in 1908, Karsh immigrated to Canada as a teenager. He became renowned for his ability to capture the essence and personality of his subjects through his photography.
One of his most famous portraits is of Winston Churchill, taken in 1941. This portrait, showing Churchill with a cigar, has become one of the most reproduced images in photographic history and is emblematic of Churchill’s resolve during World War II.
Karsh’s portraits often depicted his subjects in a dramatic and intense light, capturing both their public personas and inner selves. He had a keen eye for lighting and composition, which he used to great effect in his work.
Throughout his career, Karsh photographed a wide range of individuals, including politicians, artists, actors, and scientists. Some of his other notable subjects include Albert Einstein, Ernest Hemingway, Audrey Hepburn, and Martin Luther King Jr.
Karsh’s work continues to be celebrated for its technical excellence and its ability to capture the essence of its subjects. His photographs are housed in museums and galleries around the world, ensuring that his legacy endures as one of the greatest portrait photographers of the 20th century.
was a German-Australian photographer known for his provocative, erotically charged, and often controversial fashion and portrait photography. Born in Berlin in 1920, Newton fled Germany in 1938 due to the rise of the Nazis. He eventually settled in Australia, where he began his career as a photographer.
Newton’s work is characterized by its boldness, glamour, and boundary-pushing aesthetic. He often explored themes of power, sexuality, and voyeurism, challenging traditional notions of beauty and femininity. His photographs frequently featured strong, assertive women in provocative poses and settings, often with a sense of irony or humor.
One of Newton’s most iconic series is “Big Nudes,” which featured larger-than-life images of nude or scantily clad women in striking and sometimes surreal compositions. These images challenged conventional ideals of female beauty and sexuality and cemented Newton’s reputation as a provocative and controversial artist.
In addition to his fashion and portrait work, Newton also produced a significant body of personal work, including landscapes and cityscapes, often imbued with his trademark sense of style and narrative.
Newton’s photography has had a lasting impact on the fashion and art worlds, influencing countless photographers and artists with his bold and uncompromising vision. Despite controversy surrounding some of his work, he remains one of the most influential photographers of the 20th century, known for his unique blend of sophistication, eroticism, and wit.
Her most famous series, “Untitled Film Stills” (1977–1980), features Sherman herself posing as various characters in scenes reminiscent of 1950s and 1960s film noir and Hollywood cinema. These staged photographs, despite their cinematic quality, are not depictions of real movies but rather constructions of Sherman’s imagination, challenging viewers to question the authenticity of the images and the identity of the subjects.
Sherman’s work often involves elaborate costumes, makeup, and props to create characters that blur the lines between reality and fiction. Through her art, she explores themes of gender, identity, sexuality, and the portrayal of women in popular culture.
Beyond the “Film Stills,” Sherman has continued to push boundaries with series like “Centerfolds” (1981), “History Portraits” (1989–1990), and “Society Portraits” (2008), among others. Each series offers a unique perspective on issues of representation and selfhood, often with a satirical or critical edge.
Cindy Sherman’s contributions to contemporary art have been widely recognized, and her work has been exhibited in major museums and galleries worldwide. She remains a leading figure in the world of photography and conceptual art, inspiring countless artists with her innovative approach to image-making and storytelling.
