visual narratives

Pictures that i made:

Week 1:

My best picture made by Angel:

Picture made be me:

pictures from the lesson:

 

Today photography class i had a really fun time! understand a little how the cameras and the lightening  works .It was the fist experience for me , and i really liked it! Hopefully in the future classes i will learn more about the cameras and editing pictures to develop a better skills for the future job.

week 2:

Shutter speed- is exactly what it sounds like – the speed at which the shutter of the camera closes. A fast shutter speed creates a shorter exposure — the amount of light the camera takes in —while a slow shutter speed gives the photographer a longer exposure.

Pengertian Shutter Speed

Aperture-in photography is the section of the camera that can be adjusted to let in more or less light. A small aperture lets in less light and leads to a darker image, while a larger one can flood the sensors with light.

ISO- Sensitivity is a standard set by the International Organization for Standardization (ISO) that represents sensitivity to light as a numerical value. A higher number indicates a higher sensitivity and a greater ability to capture light. The ISO Sensitivity is set and changed in the shooting settings menu.

Week 3:

shoot from close ,medium ,far :

 

new life:

 

 

Photographer:

SALLY MANN

Week 4:   Researching different approaches to convey a narrative.

Coffee break walk :

 

Week 5:

What Composition mean in photography?
Photo composition is how a photographer arranges visual elements within their frame. “It’s a pleasing organisation of objects within your rectangle,” says photographer Adam Long. Putting subjects or scenes inside that space may sound easy, yet it’s anything but.
Why is Composition So Important in Photography? Composition in photography is the equivalent of the skeleton in the human body. It keeps everything together, supports the weights of various visual elements, and makes the frame look dynamic. A chaotic skeleton wouldn’t let your body function properly.
Improve your composition by being thoughtful, bold and prepared to experiment.
  • Simplify the scene. Declutter the background to draw attention to your subject.
  • Rule of thirds. Instead of placing your subject centre-frame, split the frame into thirds. …
  • Fill the frame. …
  • Diagonal lines. …
  • High or low. …
  • Reflect.
 Week 6:
Traditional Photography and Dark Room:
In a traditional darkroom, we can process photographs without using computers. The darkroom is essential because it is almost entirely dark, except for a red light called a safe light. This light allows us to handle light-sensitive materials without exposing them to light that would ruin the images
Assighment:

My Photo story:

Its about a poor man who cant afford to eat in a fancy place but enjoys simple food infront of amazing London  view.

  • It just one person in a picture
  • Need to think about the location , structure of the picture, style, possible black and white
  • Outfit is needed for my story ,some old school hat ,coat
  • the location will be somewhere Central London, famous locations and attractions.

 

Stop motion animation: Easter bunny !

Technical aspect:

Creating this stop motion animation on my phone took me approximately 20 minutes, involving the capture of around 250 photos.

 

Week 7: Lighting, position:

What are the basic light positions?
There are three basic positions of light: front light, side light, and back light. Front Light is also described as on-axis light. It’s directly in line with the lens. Since there is the same amount of light falling from the left and right of the scene this light is very even.

 

Week 8:Storyboards and Visual Narratives in Photography :

Comprehensive Guide to Cinematic Camera Maneuvers

Cinematic camera maneuvers are strategies employed in film production to alter the composition or viewpoint of a shot by repositioning the camera. This technique enables directors to transition the audience’s perspective seamlessly, fostering a deeper psychological and emotional connection with the scene, thereby augmenting viewer immersion and engagement.

Illustrations of prevalent camera maneuvers in cinema include:

  • Pan: This involves a horizontal shift of the camera to the left or right. It is typically driven by the actions of characters or the need to unveil new details.
  • Tilt: A vertical adjustment of the camera upwards or downwards. This can signify the prominence of a character or to encapsulate moments of wonder.
  • Push In: The act of moving the camera closer to a focal point, aiming to highlight or underscore personal reflections or significant details.
  • Pull Out: Retracting the camera from a focal point to disclose the environment or to stir feelings such as detachment or solitude.
  • Tracking Shot: This captures the camera actively following a character or an object across a scene. It’s key for maintaining narrative flow and deepening the sense of presence within the film.

Tilt:

Pan:

Zoom in:

zoom out:

tracking:

 

Assighment:

My Photo story: Shopping addiction